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XG Part Setup:
Each instrument is controllable with many settings !
Contents:1. Introduction
Yamaha XG synthesizers offer 16 so called 'Multi Parts', which are assigned to the 16 MIDI channels (Part 1 > MIDI channel 1, Part 2 > MIDI channel 2 ... Part 16 > MIDI channel 16). The default Part to channel assignments can simply be changed with the command RECEIVE MIDI CHANNEL - this is useful if you want to play two different instruments simultaneously on the same MIDI channel. If you assign several Parts to the same MIDI channel you have select the instrument of each Part with the Part-commands (!) Bank Select and Program Number as shown below - the usage of the MIDI controllers Bank Select and Program Number would cause the same instrument setting on each Part assigned to this MIDI channel.These 16 Parts can play instruments (in 'Normal/Voice mode') or drum kits (in modes 'Drum Setup 1', 'Drum Setup 2' or 'Drum'). By XG default Part 10 (assigned to MIDI channel 10) is in mode 'Drum Setup 1' and all other Parts are in 'Voice mode'. You can change the Part mode with the command PART MODE. Further information to the different drum modes you can find at my page 'Drum Setup 1 + 2'.
Each Part is controllable with many different settings - the following table shows all available Multi Part settings. Many of these settings are only available in 'Voice mode', because settings like 'Scale Tuning' are not senseful for drum kits.
You always have to replace the variable NN in the SysEx strings with a valid Part number (00h-0Fh), also you have to replace the variable XX with a valid hexadecimal data entry. The valid data range of each command you can find in column 'Data Range', the default value is shown in column 'Default Value'.
You can use up to 6 different MIDI controllers (Bend Wheel, Modulation Wheel, Channel After Touch, Polyphonic After Touch, AC1 and AC2) to vary the pitch, the filter frequency and/or the amplitude directly or to control the LFO pitch/filter/amplitude modulation depth. The assignable controllers AC1 and AC2 can be a assigned to any MIDI controller number of your choice in the range 0-95 - like this you can simply use Fader boxes or breath/wind controllers etc. with fixed or programmable controller numbers to vary the sound of an instrument.
Notes for MU100 und SW1000XG user:
Some XG synths (e.g. MU100 and SW1000XG) provide 32 Multiparts, 32 MIDI channels and they can play a maximum of 64 notes polyphonie (64 elements)! At those synths the Parts 17-32 are addressable with NN=10h-1Fh (16d-31d), the MIDI channels 17-32 at message RECEIVE MIDI CHANNEL with XX=10h-1Fh (16d-31d) and at ELEMENT RESERVE the valid data range is XX=00h-40h (0d-64d).
Important: the data ranges in the tables below are limited to standard XG synths with 16 Parts, 16 MIDI channels and 32 Elements!
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2. Table of all XG Part settings
- Part Mode Settings
- Selection of an instrument or a drum kit
- Volume, Panorama and Effect Send
- Oscillator and Pitch EG Settings
- Filter Settings
- LFO Settings
- EG Settings
- Portamento Settings
- Note Range Settings
- Velocity Settings
- Modulation Wheel (MW) Settings
- Bend Wheel (BEND) Settings
- Channel After Touch (CAT) Settings
- Polyphonic After Touch (PAT) Settings
- Assignable Controller 1 (AC1) Settings
- Assignable Controller 2 (AC2) Settings
- MIDI Message Setup
- Scale Tuning Settings
- Part-EQ Settings (only available at a MU90, MU100 or SW1000XG!)
- Part-Routing (only available at a SW1000XG with connected DS2416 extension!)
| SysEx String (Hex), NN=Part Number (1-16): 00h-0Fh (0d-15d) |
Data Range Hex (Dec) |
Parameter | Description | Default Value Hex (Dec) |
| A. Part Mode Settings | ||||
| F0,43,10,4C,08,NN,07,XX,F7 | 00h - 03h (0d - 3d) |
PART MODE (Please read page Drum Setup 1 + 2 for further information to drum modes) |
0:NORMAL (Voice) 1:DRUM 2:DRUM SETUP 1 3:DRUM SETUP 2 |
Part 10= 02h (2d), Other= 00h (0d) |
| F0,43,10,4C,08,NN,04,XX,F7 | 00h - 0Fh, 7Fh (0d - 15d, 127) |
RECEIVE MIDI CHANNEL | 0 - 15: CHANNEL 1 - 16, 127: OFF |
=Part number |
| F0,43,10,4C,08,NN,00,XX,F7 | 00h - 20h (0d - 32d) (view: Description) |
ELEMENT RESERVE (With this message you can reserve a specified number of notes for certain Parts, in order to keep notes from beeing 'stolen' from those Parts by other Parts if incoming MIDI Note data exceeds maximum available polyphony. For example, if you specify an Element Reserve value of '10' for Part 1, then Part 1 will always keep 10 elements for itself.) |
0 - 32 (If your particular XG synth has a polyphony of 64 elements, the valid data range will be 0d-64d.) |
Part 10= 00h (0d), Other= 02h (2d) (These default values are for XG synths with a polyphony of 32 elements.) |
| F0,43,10,4C,08,NN,06,XX,F7 | 00h - 02h (0d - 2d) |
SAME NOTE NUMBER KEY ON ASSIGN (With this message you can adjust the behaviour of a Part, if a Note On message for an already sounding note is received: in mode MULTI the already sounding note will be continued and an additional note will be played, in mode SINGLE the already sounding note will be interrupted and a new note will be played.) |
0:SINGLE 1:MULTI 2:INST (for Drum) |
01h (1d) |
| F0,43,10,4C,08,NN,05,XX,F7 | 00h - 01h (0d - 1d) |
MONO/POLY MODE | 0:MONO 1:POLY |
01h (1d) |
| B. Selection of an instrument or a drum kit | ||||
| F0,43,10,4C,08,NN,01,XX,F7 | 00h - 7Fh (0d - 127d) |
BANK SELECT MSB | 0 - 127 | Part 10= 7Fh (127d), Other= 00h (0d) |
| F0,43,10,4C,08,NN,02,XX,F7 | 00h - 7Fh (0d - 127d) |
BANK SELECT LSB | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,03,XX,F7 | 00h - 7Fh (0d - 127d) |
PROGRAM NUMBER | 0 - 127: Program Number 1 - 128 |
00h (0d) |
| C. Volume, Panorama and Effect Send | ||||
| F0,43,10,4C,08,NN,0B,XX,F7 | 00h - 7Fh (0d - 127d) |
VOLUME | 0 - 127 | 64h (100d) |
| F0,43,10,4C,08,NN,11,XX,F7 | 00h - 7Fh (0d - 127d) |
DRY LEVEL (Only available, if the Part has been assigned to the Variation effect in insertion mode) |
0 - 127 | 7Fh (127d) |
| F0,43,10,4C,08,NN,0E,XX,F7 | 00h - 7Fh (0d - 127d) |
PANORAMA | O:Random, 1...64...127: Left...Center...Right |
40h (64d) |
| F0,43,10,4C,08,NN,13,XX,F7 | 00h - 7Fh (0d - 127d) |
REVERB SEND | 0 - 127 | 28h (40d) |
| F0,43,10,4C,08,NN,12,XX,F7 | 00h - 7Fh (0d - 127d) |
CHORUS SEND | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,14,XX,F7 | 00h - 7Fh (0d - 127d) |
VARIATION SEND (Only available, if the Variation effect is in system mode) |
0 - 127 | 00h (0d) |
| D. Oscillator and Pitch EG Settings | ||||
| F0,43,10,4C,08,NN,08,XX,F7 | 28h - 58h (40d - 88d) |
NOTE SHIFT | 40...64...88: -24...0...+24 (Semitones) |
40h (64d) |
| F0,43,10,4C,08,NN,09,0Y,0Z,F7 | 00,00h - 0F,0Fh (0d - 255d) |
DETUNE (view Chapter 13 of page 'Reference Tables') |
0...128...255: -12.8...0...+12.7 (Hz) Resolution: 0.1 Cent/Step |
08h,00h (128d) |
| F0,43,10,4C,08,NN,16,XX,F7 | 00h - 7Fh (0d - 127d) |
VIBRATO DEPTH (LFO Pitch Modulation Depth) |
0...64...127: -64...0...+63 |
40h (64d) (Drum Part ignores) |
| F0,43,10,4C,08,NN,69,XX,F7 | 00h - 7Fh (0d - 127d) |
PITCH EG INITIAL LEVEL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,6A,XX,F7 | 00h - 7Fh (0d - 127d) |
PITCH EG ATTACK TIME | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,6B,XX,F7 | 00h - 7Fh (0d - 127d) |
PITCH EG RELEASE LEVEL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,6C,XX,F7 | 00h - 7Fh (0d - 127d) |
PITCH EG RELEASE TIME | 0...64...127: -64...0...+63 |
40h (64d) |
| E. Filter Settings | ||||
| F0,43,10,4C,08,NN,18,XX,F7 | 00h - 7Fh (0d - 127d) |
FILTER CUTOFF FREQUENCY | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,19,XX,F7 | 00h - 7Fh (0d - 127d) |
FILTER RESONANCE | 0...64...127: -64...0...+63 |
40h (64d) |
| F. LFO Settings | ||||
| F0,43,10,4C,08,NN,15,XX,F7 | 00h - 7Fh (0d - 127d) |
VIBRATO RATE (LFO Speed) |
0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,17,XX,F7 | 00h - 7Fh (0d - 127d) |
VIBRATO DELAY (LFO Delay Time) |
0...64...127: -64...0...+63 |
40h (64d) (Drum Part ignores) |
| G. EG Settings | ||||
| F0,43,10,4C,08,NN,1A,XX,F7 | 00h - 7Fh (0d - 127d) |
EG ATTACK TIME | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,1B,XX,F7 | 00h - 7Fh (0d - 127d) |
EG DECAY TIME | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,1C,XX,F7 | 00h - 7Fh (0d - 127d) |
EG RELEASE TIME | 0...64...127: -64...0...+63 |
40h (64d) |
| H. Portamento Settings | ||||
| F0,43,10,4C,08,NN,67,XX,F7 | 00h - 01h (0d - 1d) |
PORTAMENTO SWITCH | 0:OFF, 1:ON |
00h (0d) |
| F0,43,10,4C,08,NN,68,XX,F7 | 00h - 7Fh (0d - 127d) |
PORTAMENTO TIME | 0 - 127 | 00h (0d) |
| I. Note Range Settings | ||||
| F0,43,10,4C,08,NN,0F,XX,F7 | 00h - 7Fh (0d - 127d) |
NOTE LIMIT LOW (Incoming MIDI Note data with Note numbers lower than the specified value will be ignored.) |
0 - 127: C-2 - G8 |
00h (0d) |
| F0,43,10,4C,08,NN,10,XX,F7 | 00h - 7Fh (0d - 127d) |
NOTE LIMIT HIGH (Incoming MIDI Note data with Note numbers higher than the specified value will be ignored.) |
0 - 127: C-2 - G8 |
7Fh (127d) |
| J. Velocity Settings | ||||
| F0,43,10,4C,08,NN,0C,XX,F7 | 00h - 7Fh (0d - 127d) |
VELOCITY SENSE DEPTH (The velocity range of incoming MIDI Note data will be spreaded or reduced in a relative way. For example, if you specify a Velocity Sense Depth value of +63 (127d) and the velocity range of incoming MIDI Note data is 20-64, these notes will be played with a velocity of ~ 40-127. With a Velocity Sense Depth value of -32 (32d) these notes would be played with a velocity of ~ 10-32.) |
0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,0D,XX,F7 | 00h - 7Fh (0d - 127d) |
VELOCITY SENSE OFFSET (Adds or substracts the specified value to the velocity of incoming MIDI Note data. For example, if you specify a Velocity Sense Offset value of +63 (127d) and the velocity range of incoming MIDI Note data is 20-64, these notes will be played with a velocity of 83-127. With a Velocity Sense Offset value of -32 (32d) notes in the velocity range 33-64 would be played with a velocity of 1-32 and notes with a velocity <33 would be ignored.) |
0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,6D,XX,F7 | 01h - 7Fh (1d - 127d) |
VELOCITY LIMIT LOW (Incoming MIDI Note data with a velocity lower than the specified value will be ignored.) |
1 - 127 | 01h (1d) |
| F0,43,10,4C,08,NN,6E,XX,F7 | 01h - 7Fh (1d - 127d) |
VELOCITY LIMIT HIGH (Incoming MIDI Note data with a velocity higher than the specified value will be ignored.) |
1 - 127 | 7Fh (127d) |
| K. Modulation Wheel (MW) Settings | ||||
| F0,43,10,4C,08,NN,1D,XX,F7 | 28h - 58h (40d - 88d) |
MW PITCH CONTROL | 40...64...88: -24...0...+24 (Semitones) |
40h (64d) |
| F0,43,10,4C,08,NN,1E,XX,F7 | 00h - 7Fh (0d - 127d) |
MW FILTER CONTROL | 0...64...127: -9600...0...+9450 (Cent) Resolution: 150 Cent/Step |
40h (64d) |
| F0,43,10,4C,08,NN,1F,XX,F7 | 00h - 7Fh (0d - 127d) |
MW AMPLITUDE CONTROL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,20,XX,F7 | 00h - 7Fh (0d - 127d) |
MW LFO PITCH MODULATION DEPTH | 0 - 127 | 0Ah (10d) |
| F0,43,10,4C,08,NN,21,XX,F7 | 00h - 7Fh (0d - 127d) |
MW LFO FILTER MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,22,XX,F7 | 00h - 7Fh (0d - 127d) |
MW LFO AMPLITUDE MODULATION DEPTH | 0 - 127 | 00h (0d) |
| L. Bend Wheel (BEND) Settings | ||||
| F0,43,10,4C,08,NN,23,XX,F7 | 28h - 58h (40d - 88d) |
BEND PITCH CONTROL | 40...64...88: -24...0...+24 (Semitones) |
42h (66d) |
| F0,43,10,4C,08,NN,24,XX,F7 | 00h - 7Fh (0d - 127d) |
BEND FILTER CONTROL | 0...64...127: -9600...0...+9450 (Cent) Resolution: 150 Cent/Step |
40h (64d) |
| F0,43,10,4C,08,NN,25,XX,F7 | 00h - 7Fh (0d - 127d) |
BEND AMPLITUDE CONTROL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,26,XX,F7 | 00h - 7Fh (0d - 127d) |
BEND LFO PITCH MODULATION DEPTH | 0...64...127: +100...0...+100 (%) |
40h (64d) |
| F0,43,10,4C,08,NN,27,XX,F7 | 00h - 7Fh (0d - 127d) |
BEND LFO FILTER MODULATION DEPTH | 0...64...127: +100...0...+100 (%) |
40h (64d) |
| F0,43,10,4C,08,NN,28,XX,F7 | 00h - 7Fh (0d - 127d) |
BEND LFO AMPLITUDE MODULATION DEPTH | 0...64...127: +100...0...+100 (%) |
40h (64d) |
| M. Channel After Touch (CAT) Settings | ||||
| F0,43,10,4C,08,NN,4D,XX,F7 | 28h - 58h (40d - 88d) |
CAT PITCH CONTROL | 40...64...88: -24...0...+24 (Semitones) |
40h (64d) |
| F0,43,10,4C,08,NN,4E,XX,F7 | 00h - 7Fh (0d - 127d) |
CAT FILTER CONTROL | 0...64...127: -9600...0...+9450 (Cent) Resolution: 150 Cent/Step |
40h (64d) |
| F0,43,10,4C,08,NN,4F,XX,F7 | 00h - 7Fh (0d - 127d) |
CAT AMPLITUDE CONTROL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,50,XX,F7 | 00h - 7Fh (0d - 127d) |
CAT LFO PITCH MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,51,XX,F7 | 00h - 7Fh (0d - 127d) |
CAT LFO FILTER MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,52,XX,F7 | 00h - 7Fh (0d - 127d) |
CAT LFO AMPLITUDE MODULATION DEPTH | 0 - 127 | 00h (0d) |
| N. Polyphonic After Touch (PAT) Settings | ||||
| F0,43,10,4C,08,NN,53,XX,F7 | 28h - 58h (40d - 88d) |
PAT PITCH CONTROL | 40...64...88: -24...0...+24 (Semitones) |
40h (64d) |
| F0,43,10,4C,08,NN,54,XX,F7 | 00h - 7Fh (0d - 127d) |
PAT FILTER CONTROL | 0...64...127: -9600...0...+9450 (Cent) Resolution: 150 Cent/Step |
40h (64d) |
| F0,43,10,4C,08,NN,55,XX,F7 | 00h - 7Fh (0d - 127d) |
PAT AMPLITUDE CONTROL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,56,XX,F7 | 00h - 7Fh (0d - 127d) |
PAT LFO PITCH MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,57,XX,F7 | 00h - 7Fh (0d - 127d) |
PAT LFO FILTER MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,58,XX,F7 | 00h - 7Fh (0d - 127d) |
PAT LFO AMPLITUDE MODULATION DEPTH | 0 - 127 | 00h (0d) |
| O. Assignable Controller 1 (AC1) Settings | ||||
| F0,43,10,4C,08,NN,59,XX,F7 | 00h - 5Fh (0d - 95d) |
AC1 CONTROLLER NUMBER | 0 - 95 | 10h (16d) |
| F0,43,10,4C,08,NN,5A,XX,F7 | 28h - 58h (40d - 88d) |
AC1 PITCH CONTROL | 40...64...88: -24...0...+24 (Semitones) |
40h (64d) |
| F0,43,10,4C,08,NN,5B,XX,F7 | 00h - 7Fh (0d - 127d) |
AC1 FILTER CONTROL | 0...64...127: -9600...0...+9450 (Cent) Resolution: 150 Cent/Step |
40h (64d) |
| F0,43,10,4C,08,NN,5C,XX,F7 | 00h - 7Fh (0d - 127d) |
AC1 AMPLITUDE CONTROL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,5D,XX,F7 | 00h - 7Fh (0d - 127d) |
AC1 LFO PITCH MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,5E,XX,F7 | 00h - 7Fh (0d - 127d) |
AC1 LFO FILTER MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,5F,XX,F7 | 00h - 7Fh (0d - 127d) |
AC1 LFO AMPLITUDE MODULATION DEPTH | 0 - 127 | 00h (0d) |
| P. Assignable Controller 2 (AC2) Settings | ||||
| F0,43,10,4C,08,NN,60,XX,F7 | 00h - 5Fh (0d - 95d) |
AC2 CONTROLLER NUMBER | 0 - 95 | 11h (17d) |
| F0,43,10,4C,08,NN,61,XX,F7 | 28h - 58h (40d - 88d) |
AC2 PITCH CONTROL | 40...64...88: -24...0...+24 (Semitones) |
40h (64d) |
| F0,43,10,4C,08,NN,62,XX,F7 | 00h - 7Fh (0d - 127d) |
AC2 FILTER CONTROL | 0...64...127: -9600...0...+9450 (Cent) Resolution: 150 Cent/Step |
40h (64d) |
| F0,43,10,4C,08,NN,63,XX,F7 | 00h - 7Fh (0d - 127d) |
AC2 AMPLITUDE CONTROL | 0...64...127: -64...0...+63 |
40h (64d) |
| F0,43,10,4C,08,NN,64,XX,F7 | 00h - 7Fh (0d - 127d) |
AC2 LFO PITCH MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,65,XX,F7 | 00h - 7Fh (0d - 127d) |
AC2 LFO FILTER MODULATION DEPTH | 0 - 127 | 00h (0d) |
| F0,43,10,4C,08,NN,66,XX,F7 | 00h - 7Fh (0d - 127d) |
AC2 LFO AMPLITUDE MODULATION DEPTH | 0 - 127 | 00h (0d) |
| Q. MIDI Message Setup | ||||
| F0,43,10,4C,08,NN,30,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE PITCH BEND (BEND) | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,31,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE CHANNEL AFTER TOUCH (CAT) | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,32,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE PROGRAM CHANGE | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,33,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE CONTROL CHANGE | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,34,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE POLYPHONIC AFTER TOUCH (PAT) | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,35,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE NOTE MESSAGES | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,36,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE RPN | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,37,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE NRPN | 0:OFF, 1:ON |
XG= 01h (1d), GM= 00h (0d) |
| F0,43,10,4C,08,NN,38,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE MODULATION WHEEL (MW) | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,39,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE VOLUME | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,3A,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE PAN | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,3B,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE EXPRESSION | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,3C,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE HOLD PEDAL | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,3D,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE PORTAMENTO | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,3E,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE SOSTENUTO PEDAL | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,3F,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE SOFT PEDAL | 0:OFF, 1:ON |
01h (1d) |
| F0,43,10,4C,08,NN,40,XX,F7 | 00h - 01h (0d - 1d) |
RECEIVE BANK SELECT | 0:OFF, 1:ON |
XG= 01h (1d), GM= 00h (0d) |
| R. Scale Tuning Settings | ||||
| F0,43,10,4C,08,NN,41,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING C | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,42,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING C# | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,43,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING D | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,44,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING D# | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,45,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING E | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,46,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING F | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,47,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING F# | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,48,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING G | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,49,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING G# | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,4A,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING A | 0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,4B,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING A# (=Note B in Germany) |
0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| F0,43,10,4C,08,NN,4C,XX,F7 | 00h - 7Fh (0d - 127d) |
SCALE TUNING B (=Note H in Germany) |
0...64...127: -64...0...+63 (Cent) |
40h (64d) |
| S. Part-EQ Settings (only available at a MU90, MU100 or SW1000XG!) | ||||
| F0,43,10,4C,08,NN,72,XX,F7 | 00h - 7Fh (0d - 127d) |
EQ BASS GAIN | 0...64...127: -12...0...+12 (dB) |
40h (64d) |
| F0,43,10,4C,08,NN,73,XX,F7 | 00h - 7Fh (0d - 127d) |
EQ TREBLE GAIN | 0...64...127: -12...0...+12 (dB) |
40h (64d) |
| F0,43,10,4C,08,NN,76,XX,F7 | 04h - 28h (4d - 40d) |
EQ BASS FREQUENCY | 32 - 2,000 (Hz) View: Table 3 |
0Ch (12d) =80 Hz |
| F0,43,10,4C,08,NN,77,XX,F7 | 1Ch - 3Ah (28d - 58d) |
EQ TREBLE FREQUENCY | 500 - 16,000 (Hz) View: Table 3 |
36h (54d) =10.000 Hz |
| F0,43,10,4C,0A,NN,20,XX,F7 | 00h - 7Fh (0d - 127d) |
HIGH PASS FILTER CUTOFF FREQUENCY | 0...64...127: -64...0...+63 |
40h (64d) |
| T. Part-Routing (only available at a SW1000XG with connected DS2416 extension!) | ||||
| F0,43,10,4C,0A,NN,10,XX,F7 | 00h (0d) 08h (8d) 09h (9d) 0Ah (10d) 28h (40d) 29h (41d) 2Ah (42d) 2Bh (43d) 2Ch (44d) 2Dh (45d) |
OUTPUT SELECT (These settings are available only at a SW1000XG with connected 'DS2416' extension! The DS2416 extension is purchased with a digital optical eight channel ADAT output with the possibility to send Stereo-Out L/R and Individual Out 1-6 separately to connected audio devices with an ADAT compatible input.) |
0d = Stereo Out 8d = Individual 1+2 9d = Individual 3+4 10d = Individual 5+6 40d = Individual 1 41d = Individual 2 42d = Individual 3 43d = Individual 4 44d = Individual 5 45d = Individual 6 |
00h (0d) |
C/O 2002-2012: Werner Ogrodnik (Cologne, Germany)