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16 Channel mixer maps for
Advanced MIDI control of EWS64 instruments !
Contents:- Preview
- Introduction
- Important notes
- How do the controls work ?
- Further information on the EWS64's third LFO
- Help tables for the channel mixer maps
1. Preview ~ Channel mixer map 01 (all maps are identical)
Click on the picture for a 1:1 preview (985*656 pixels; 149 kB)(IE 6 users should de-activate automatic picture range scaling)
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2. Introduction ~ the 16 Channel mixer maps
- These Channel mixer maps are able to control nearly all of the EWS64's available synth settings separately (voice mode) on each of the 16 MIDI channels. Each contains 53 knobs and 42 switches affording easy access to the synth settings. 'Scale tuning' is the only parameter that cannot be adjusted.
- These maps give full access to the voice settings of an EWS64 instrument.
- It's never been easier to control the EWS64's synth parameters - Oscillator, Filter, Amplifier, LFOs, Envelopes...etc.
- Wide range sliders allow you to select any value between #0 and #127.
- All controls are arranged in 'Logic Function Groups' - allowing you the largest possible overview.
- Additional information on range scales and default settings assists in control of all settings.
- The universal interface of these 16 mixer maps means that once you are familiar with one mixer map, you'll be familiar with all the other 15 mixer maps too.
3. Important notes
- These mixer maps are a mixture of 'MIDI channel based' and 'EWS64 part based'
MIDI controls.
Only with this approach has it been possible for me to combine all available sound settings of an EWS64 instrument into one single mixer map. All 'part based' controls vary the settings of the EWS64 default part for this MIDI channel. All 'channel based' controls vary the settings of all assigned EWS64 parts to this MIDI channel simultaneously.
MIDI Channel number (01-16) and default Part number (00-15) of the EWS64 for this MIDI channel are not the same! For this reason, each mixer map contains information on the used MIDI channel AND the corresponding EWS64 Part in the heading.
As long as you keep the default 'EWS64 channel/part assignment' you will not notice any differences between channel and part based controls.
This changes if you assign additional parts to a MIDI channel (easily possible with these mixer maps). In which case the following happens:
All part based controls vary only the assigned default part for this MIDI channel.
All channel based controls will now simultaneously adjust the settings for every part assigned to this MIDI channel!
Hint: My help table for these mixer maps include information on each control as to whether it's part based or channel based.
Further information on theses channel/part assignments can be found at:
Default channel/part Table for the EWS64
-
Most controls for these Channel mixer maps are active only if the corresponding part is in 'Voice Mode'.
The default settings of the EWS64 are: Parts 01-15 (channels 01-09 and 11-16) work in 'Voice Mode', only part 00 (channel 10) is switched to 'Drum Mode'. See Default channel/part Table for the EWS64 which includes information on the default Voice/Drum Mode settings of all 16 EWS64 parts.
Note:
I recommend using my Drum mixer maps if you want to switch additional parts to 'Drum Mode'.
This is done easily for each part with my Master mixer map too, and with the following advantage - you can free up mixer tracks in Cubase.
You can use only 6 mixer tracks in Cubase 5 simultaneously! - The Snapshot 'Basic' in these mixer maps:
When opening a mixer map in Cubase 5 there is always the problem of values in Cubase not corresponding with the default values of the EWS64 synth ! To solve this in Cubase5, I have integrated the snapshot 'AllOf':
After a click on the button 'Basic' most controls of the mixer map will switch to the default values of the EWS64 synth. No changes will be made to: Mono/Poly mode, Portament On/Off and time, Part assignments and filter resonance/cutoff frequency.
Note:
If you activate a snapshot, Cubase sends all MIDI control commands to the EWS64 synth! For this reason, you can also use this snapshot if you want to reset the synth settings of this channel/part to its default.
- If using the track inspector or MIDI track mixer of Cubase for changing any MIDI settings,
avoid simultaneous alteration with these mixer maps!
In such a case, you should leave these settings out of static or dynamic recordings of a mixer track. - To view comfortably, screen resolutions of at least 1024 x 768 pixels are recommended.
Smaller screen resolutions are possible but won't allow viewing of all settings simultaneously. - I'm not able to offer support on any Cubase related problems!
With any Cubase specific difficulties, please read the manuals or contact the Steinberg support.
4. How do the controls work ?
In general, three main types of controls are used in these mixer maps:- I. Controls of global channel and part settings
Sections - 'PANIC', 'GLOBAL CTRL SETTINGS', 'PART SETUP' and 'ASSIGN CTRL No to CC1 and CC2'.
The easy bit...
'Volume' varies the level of this MIDI channel, 'Reverb' controls the amount of reverb added to this channel, 'Portamento' activates portamento for this channel, 'Drum Mode' sets this part to Drum Mode and so on... These settings are 'global MIDI settings' for this channel/part and independend from any selected EWS64 instrument. - II. Routing of MIDI keyboard controller data to oscillator, filter and amplifier
Thirty controls in sections - 'CTRL Depth Pitch', 'LFO3 Depth Pitch', 'CTRL Depth TVF Cutoff', 'LFO3 Depth TVF Cutoff', 'CTRL Depth TVA' and 'LFO3 Depth TVA'.
You can simultaneously alter five different types of MIDI controller data for manipulation of the oscillator, filter and amplifier from their default settings: PitchBend Wheel, Modulation Wheel, Channel Aftertouch, CC1 and CC2 and these five controllers can be used in two different ways:
To vary the default settings for Tuning (CTRL DEPTH Pitch), Filter frequency (CTRL Depth TVF Cutoff) and/or Volume (CTRL Depth TVA).
Values higher than #64 allow you to increase the default setting via MIDI data, and with values lower than #64 you can decrease these settings in the same way. Value #64 disables the specific MIDI controller data to make any changes at all.
For example:
Switch the slider 'Mod. Wheel' in section 'CTRL Depth TVF Cutoff' to #0. Now press any key of your MIDI keyboard, keep it pressed and 'play' with the Modulation Wheel of your keyboard: You'll notice that the sound of the instrument will become muffled the more you 'open' the modulation wheel, because you are decreasing the default filter frequency, via the Modulation Wheel, directly.
B. To alter LFO3 of the EWS64, adjusting Tuning (LFO3 Depth Pitch), Filter frequency (LFO3 Depth TVF Cutoff) and/or Level (LFO3 Depth TVA) by this LFO.
For example:
Switch the slider 'Mod. Wheel' in section 'LFO3 Depth Pitch' to #127. Now again press any key of your MIDI keyboard, keep it pressed and 'play' with the Modulation Wheel of your keyboard: The more you open now the Mod. Wheel, the more the tuning of the instrument will periodically change (like a siren) - because, with this setting, you have configured LFO3 to modulate the Tuning (depending of the setting of the Mod. Wheel). The value #127 for the slider Mod. Wheel offers the maximum possible influence of the Mod. Wheel to vary Tuning (Mod. Wheel fully open = +/- 400 cent), lower values for the slider Mod. Wheel will limit the influence of the Mod. Wheel and value #0 will disable the Mod. Wheel's ability to modulate the Tune via LFO3.
C. Notes on the five available MIDI controllers
Each of these five MIDI controllers can vary up to six different EWS64 synth settings simultaneously! This is mostly not necessary but does allow you to create crazy instrument settings with incredible results.
Feel free to go as incredibly crazy as you like...;~)
D. Important notes on MIDI controllers CC1 and CC2
In contrast to the 'fixed' MIDI modulators 'PitchBend Wheel', 'Mod. Wheel' and 'Channel Aftertouch' the EWS64 MIDI modulators 'CC1' and 'CC2' can be assigned to any Standart MIDI Controller (range: #0 to #95). Useful, if you have a MIDI Fader Box, MIDI Breath Controller, MIDI Wind Controller etc., with which you want to control the EWS64.
For example:
You have a MIDI Fader Box and want to assign a knob of this fader box to CC1 of the EWS64. This you can do very simply with these mixer maps: If this special knob of the fader box uses (for example) MIDI controller #48, you just have to select value #48 for the slider 'CTRL-No CC1' - you can now vary all available 'CC1 settings' via that knob on the fader box! The modulator 'CC2' of the EWS64 can be assigned in the same way to any external MIDI controller.
- III. Controls to change instrument specific default settings:
These are the controls in sections 'OSCILLATOR Fine Tune', 'OSCILLATOR Coarse Tune', 'OSCILLATOR LFO1 Depth Pitch', 'TVF Resonance', 'TVF Cutoff Frequency', 'LFO 1/2 and 3 Rate', 'LFO 1/2 Delay', 'EG1, EG2 and EG3' and 'VELOCITY SETTINGS'.
The difficult bit...
Each EWS64 instrument includes a lot of 'instrument specific' settings for 'Filter Frequency', 'Filter Resonance', 'LFO 1/2 Settings', 'Envelope Settings', 'Velocity Settings' and others. Furthermore, 'EWS64 Multilayer Instruments' include several 'splits' simultaneously and each 'split' can have totally different settings for each of these values!
To fully appreciate advanced MIDI control of the EWS64 , it's important to understand the following !
These controls work like this:
A. 'OSCILLATOR Fine Tune' and 'OSCILLATOR Coarse Tune' will increase or decrease the default values for these settings on all 'splits' of an EWS64 instrument simultaneously.
B. 'OSCILLATOR LFO1 Depth Pitch' will increase or decrease the default values for this setting on all 'splits' of an EWS64 instrument simultaneously.
C. 'TVF Resonance' and 'TVF Cutoff Frequency' will increase or decrease the default values for these settings on all 'splits' of an EWS64 instrument simultaneously.
D. 'LFO 1/2 Rate' and 'LFO 1/2 Delay' will increase or decrease the default values for these settings on all 'splits' of an EWS64 instrument simultaneously.
E. 'EG1,EG2 and EG3 (Attack, Decay/Sustain, Release)' will increase or decrease the default values for these settings on all 'splits' of an EWS64 instrument simultaneously.
Note 1: These sliders vary the settings of EG1, EG2 and EG3 simultaneously for each split!
Note 2: 'Decay/Sustain Time' changes simultaneously the Decay Time and the Sustain Time of all EG's of all splits!
F. 'VELOCITY SETTINGS' (Velocity Offset and Velocity Slope) will increase or decrease the default values for these settings on all 'splits' of an EWS64 instrument simultaneously.
5. Further information on the EWS64's third LFO
- The 'Dream chip' of the EWS64 offers a third LFO (independent of LFO1 and LFO2
in any instrument setting via Ed!son) !
- This additional LFO is called 'LFO1' in the Terratec wavetable manual, but it is completely independ from LFO1 in instrument settings.
- I've named it 'LFO3' in the mixer maps, because the LFO1/2 settings in the mixer maps correspond to the LFO numbers used in Ed!son.
- It seems to have a sine waveform and van be varied in the range 0-17 Hz.
- This LFO can simultaneously be used on all 16 MIDI channels.
- It's rate is, however, common to all MIDI channels -
therefore, it's speed will always be the same on each MIDI channel! - What this means in practice -
any change in speed of this LFO on one MIDI channel always takes effect across all other MIDI channels too.
6. Help tables for the channel mixer maps
- Global control settings
- Panic settings
- Part set-up
- CC1 and CC2 settings
- LFO1, LFO2 and LFO3 settings
- EG1, EG2 and EG3 settings
- Velocity settings
- Oscillator settings
- Filter settings
- Amplifier settings
- Default channel/part table for the EWS64
A. Global control settings
| Name | Type | Flat | Comment |
| Portamento | Channel switch: off/on |
Enables Portamento on this MIDI channel | |
| Porta Time | Channel dial: 0 to max. |
Changes the Portamento time setting | |
| PolyMode | Channel switch: set |
Enables 'Poly Mode' (several voices of an instrument can be played simultaneously) | |
| MonoMode | Channel switch: set |
Enables 'Mono Mode' (only one voice of an instrument can be played simultaneously). | |
| Volume | Channel dial: 0 to max. |
Volume of this MIDI channel | |
| Pan L/R | Channel dial: left ~ center ~ right |
#64 (center) |
Panorama left/right of this MIDI channel |
| Pan Out 1/2 | Channel dial: Out1 ~ center ~ Out2 |
#64 (center) |
Panorama front/rear of this MIDI channel Important: Only available if the EWS64 is in 4-channel mode (Reverb and Chorus of the EWS64 must be disabled) |
| Reverb | Channel dial: 0 to max. |
Reverb amount for this MIDI channel (Only available, if the Reverb of the EWS64 is switched on) Note: You need select value #64 for MIDI Reverb Send in the EWS64 FX panel! |
|
| Chorus | Channel dial: 0 to max. |
Chorus amount for this MIDI channel (Only available, if the Chorus of the EWS64 is switched on) Note: You need select value #64 for MIDI Chorus Send in the EWS64 FX panel! |
|
| Bank No | Channel slider 0 to 127 |
Sends a bank change command to this MIDI channel Note: You need to send a program change command after any bank change command! Important: Range 0 to 127 corresponds to the banks 1-128 in Ed!son |
|
| Program No | Channel slider 0 to 127 |
Sends a program change command to this MIDI channel Important: Range 0 to 127 corresponds to the instruments 1-128 in Ed!son |
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B. Panic settings
| Name | Type | Comment |
| AllSoundOFF | Channel switch: set |
Sends the command 'All Sound Off' to this MIDI channel |
| AllNotesOFF | Channel switch: set |
Sends the command 'All Notes Off' to this MIDI channel |
| Reset CTRL | Channel switch: set |
Resets all controller values to the default settings |
| GM Reset | Global switch: set |
Sends the command 'GM Reset' to the EWS64 Note: This will take effect on all MIDI channels! |
| GS Reset | Global switch: set |
Sends the command 'GS Reset' to the EWS64 Note: This will take effect on all MIDI channels! |
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C. Part set-up
| Name | Type | Comment |
| Drum Mode | Part switch: off/on |
Activates the 'Drum Mode' for the default part of the respective MIDI channel (By default only part 00 is in Drum Mode) |
| Mute Part | Part switch: off/on |
Mutes the default part of this MIDI channel Tip: This you can do very easily for each part with my Master mixer map too |
| Assign Parts 0-15 to this MIDI channel | 16 Part switches: set |
With these switches you can assign additional parts to this MIDI channel All assigned parts will sound simultaneously on this MIDI channel |
| Reset Parts to the default MIDI channel | 16 Part switches: set |
With these switches you can reset assigned parts to their default MIDI channel |
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D. CC1 and CC2 settings
| Name | Type | Comment |
| CTRL Number CC1 | Part slider: #0 to #95 |
With this slider you can assign MIDI control change data to modulator 'CC1' of the EWS64 The default setting for CC1 is #16 In most cases you should prefer the values #16 ~ #19 or #48 ~ #51 to avoid any conflicts with reserved MIDI controllers |
| CTRL Number CC2 | Part slider: #0 to #95 |
With this slider you can assign MIDI control change data to modulator 'CC2' of the EWS64 The default setting for CC2 is #17 In most cases you should prefer the values #16 ~ #19 or #48 ~ #51 to avoid any conflicts with reserved MIDI controllers |
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E. LFO1, LFO2 and LFO3 settings
| Name | Type | Flat | Comment |
| Speed 1/2 | Channel slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Speed' of LFO1 and LFO2 simultaneously |
| Delay 1/2 | Channel slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Delay Time' of LFO1 and LFO2 simultaneously |
| Speed LFO3 | Global slider: 0 to 17 Hz |
This slider varies the 'Speed' of LFO3 Note: The lower limit of this slider is #16 - with this value LFO3 will 'stop' (frequency = 0 Hz) |
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F. EG1, EG2 and EG3 settings
| Name | Type | Flat | Comment |
| Attack Time | Channel slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Attack Time' of EG1, EG2 and EG3 simultaneously |
| Decay/Sustain Time | Channel slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Decay Time' AND (!) the 'Sustain Time' of EG1, EG2 and EG3 simultaneously |
| Release Time | Channel slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Release Time' of EG1, EG2 and EG3 simultaneously |
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G. Velocity settings
| Name | Type | Flat | Comment |
| Velo Offset | Part slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Velocity Offset' of the Amplifier Note: This slider will only take effect, if 'Velocity Offset' has been activated for this instrument via Ed!son |
| Velo Slope | Part slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Velocity Slope' of Oscillator, Filter Frequency, Filter Resonance
and Amplifier simultaneously Note: This slider will only take effect, if at least one of the 4 available 'Velocity active' switches has been activated for this instrument via Ed!son |
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H. Oscillator settings (OSC)
| Name | Type | Flat | Comment |
| Fine Tune | Channel slider: -100 cent ~ default ~ +100 cent |
#64 | This slider varies the 'Fine Tune' of the Oscillator (+/- 100 cent) |
| Coarse Tune | Channel slider: -24 ~ 0 ~ +24 semi tones |
#64 | This slider varies the 'Coarse Tune' of the Oscillator (+/- 24 semi tones) |
| LFO1 Depth Pitch | Channel slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Oscillator Modulation Intensity' of LFO1 |
| CTRL Depth Pitch: PitchBend Wheel |
Part slider: 0 to +/- 24 semitones |
#64 | This slider varies the 'PitchBend Wheel Intensity' to the Tuning of the Oscillator Note: For this slider only values of #64 to #127 are available |
| CTRL Depth Pitch: Mod Wheel |
Part slider: 0 to +/- 24 semitones |
#64 | This slider varies the 'Modulation Wheel Intensity' to the Tuning of the Oscillator |
| CTRL Depth Pitch: AfterTouch |
Part slider: 0 to +/- 24 semitones |
#64 | This slider varies the 'Channel Aftertouch Intensity' to the Tuning of the Oscillator |
| CTRL Depth Pitch: CTRL CC1 |
Part slider: 0 to +/- 24 semitones |
#64 | This slider varies the intensity of controller 'CC1' to the Tuning of the Oscillator |
| CTRL Depth Pitch: CTRL CC2 |
Part slider: 0 to +/- 24 semitones |
#64 | This slider varies the intensity of controller 'CC2' to the Tuning of the Oscillator |
| LFO3 Depth Pitch: PitchBend Wheel |
Part slider: 0 to +/- 400 cent |
#0 | This slider varies the 'PitchBend Wheel Intensity' to the modulation of the Oscillator via LFO3 Note: The default setting is #66 (+/- 2 semitones) |
| LFO3 Depth Pitch: Mod Wheel |
Part slider: 0 to +/- 400 cent |
#0 | This slider varies the 'Modulation Wheel Intensity' to the modulation of the Oscillator via LFO3 |
| LFO3 Depth Pitch: AfterTouch |
Part slider: 0 to +/- 400 cent |
#0 | This slider varies the 'Channel Aftertouch Intensity' to the modulation of the Oscillator via LFO3 |
| LFO3 Depth Pitch: CTRL CC1 |
Part slider: 0 to +/- 400 cent |
#0 | This slider varies the 'CC1 Intensity' to the modulation of the Oscillator via LFO3 |
| LFO3 Depth Pitch: CTRL CC2 |
Part slider: 0 to +/- 400 cent |
#0 | This slider varies the 'CC2 Intensity' to the modulation of the Oscillator via LFO3 |
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I. Filter settings (TVF)
| Name | Type | Flat | Comment |
| TVF Resonance | Channel slider: decrease ~ default ~ increase |
#?? | This slider varies the 'Filter Resonance'; The value for flat (=no changes) depends on the instrument |
| TVF Cutoff Frequency | Channel slider: decrease ~ default ~ increase |
#?? | This slider varies the 'Filter Cutoff Frequency'; The value for flat (=no changes) depends on the instrument |
| CTRL Depth TVF Cutoff: PitchBend Wheel |
Part slider: decrease ~ default ~ increase |
#64 | This slider varies the 'PitchBend Wheel Intensity' to the Filter Cutoff Frequency |
| CTRL Depth TVF Cutoff: Mod Wheel |
Part slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Modulation Wheel Intensity' to the Filter Cutoff Frequency |
| CTRL Depth TVF Cutoff: AfterTouch |
Part slider: decrease ~ default ~ increase |
#64 | This slider varies the 'Channel Aftertouch Intensity' Filter Cutoff Frequency |
| CTRL Depth TVF Cutoff: CTRL CC1 |
Part slider: decrease ~ default ~ increase |
#64 | This slider varies the 'CC1 Intensity' to the Filter Cutoff Frequency |
| CTRL Depth TVF Cutoff: CTRL CC2 |
Part slider: decrease ~ default ~ increase |
#64 | This slider varies the 'CC2 Intensity' to the Filter Cutoff Frequency |
| LFO3 Depth TVF Cutoff: PitchBend Wheel |
Part slider: 0 to +/- max. |
#0 | This slider varies the 'PitchBend Wheel Intensity' to the modulation of the Filter Cutoff Frequency via LFO3 |
| LFO3 Depth TVF Cutoff: Modulation Wheel |
Part slider: 0 to +/- max. |
#0 | This slider varies the 'Modulation Wheel Intensity' to the modulation of the Filter Cutoff Frequency via LFO3 |
| LFO3 Depth TVF Cutoff: AfterTouch |
Part slider: 0 to +/- max. |
#0 | This slider varies the 'Channel AfterTouch Intensity' to the modulation of the Filter Cutoff Frequency via LFO3 |
| LFO3 Depth TVF Cutoff: CTRL CC1 |
Part slider: 0 to +/- max. |
#0 | This slider varies the 'CC1 Intensity' to the modulation of the Filter Cutoff Frequency via LFO3 |
| LFO3 Depth TVF Cutoff: CTRL CC2 |
Part slider: 0 to +/- max. |
#0 | This slider varies the 'CC2 Intensity' to the modulation of the Filter Cutoff Frequency via LFO3 |
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J. Amplifier settings (TVA)
| Name | Type | Flat | Comment |
| CTRL Depth TVA: PitchBend Wheel |
Part slider: -100 ~ 0 ~ +100 percent |
#64 | This slider varies the 'PitchBend Wheel Intensity' to the Amplifier Volume |
| CTRL Depth TVA: Mod Wheel |
Part slider: -100 ~ 0 ~ +100 percent |
#64 | This slider varies the 'Modulation Wheel Intensity' to the Amplifier Volume |
| CTRL Depth TVA: AfterTouch |
Part slider: -100 ~ 0 ~ +100 percent |
#64 | This slider varies the 'Channel AfterTouch Intensity' to the Amplifier Volume |
| CTRL Depth TVA: CTRL CC1 |
Part slider: -100 ~ 0 ~ +100 percent |
#64 | This slider varies the 'CC1 Intensity' to the Amplifier Volume |
| CTRL Depth TVA: CTRL CC2 |
Part slider: -100 ~ 0 ~ +100 percent |
#64 | This slider varies the 'CC2 Intensity' to the Amplifier Volume |
| LFO3 Depth TVA: PitchBend Wheel |
Part slider: 0 to -100 percent |
#0 | This slider varies the 'PitchBend Wheel Intensity' to the modulation of the Amplifier Volume via LFO3 |
| LFO3 Depth TVA: Mod Wheel |
Part slider: 0 to -100 percent |
#0 | This slider varies the 'Modulation Wheel Intensity' to the modulation of the Amplifier Volume via LFO3 |
| LFO3 Depth TVA: AfterTouch |
Part slider: 0 to -100 percent |
#0 | This slider varies the 'Channel AfterTouch Intensity' to the modulation of the Amplifier Volume via LFO3 |
| LFO3 Depth TVA: CTRL CC1 |
Part slider: 0 to -100 percent |
#0 | This slider varies the 'CC1 Intensity' to the modulation of the Amplifier Volume via LFO3 |
| LFO3 Depth TVA: CTRL CC2 |
Part slider: 0 to -100 percent |
#0 | This slider varies the 'CC2 Intensity' to the modulation of the Amplifier Volume via LFO3 |
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K. Default channel/part table for the EWS64
| Part No. of the EWS64: | Assigned MIDI channel by default: | Default mode setting: |
| Part 00 | Channel 10 | Drum Mode |
| Part 01 | Channel 01 | Voice Mode |
| Part 02 | Channel 02 | Voice Mode |
| Part 03 | Channel 03 | Voice Mode |
| Part 04 | Channel 04 | Voice Mode |
| Part 05 | Channel 05 | Voice Mode |
| Part 06 | Channel 06 | Voice Mode |
| Part 07 | Channel 07 | Voice Mode |
| Part 08 | Channel 08 | Voice Mode |
| Part 09 | Channel 09 | Voice Mode |
| Part 10 | Channel 11 | Voice Mode |
| Part 11 | Channel 12 | Voice Mode |
| Part 12 | Channel 13 | Voice Mode |
| Part 13 | Channel 14 | Voice Mode |
| Part 14 | Channel 15 | Voice Mode |
| Part 15 | Channel 16 | Voice Mode |
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C/O 2002-2012: Werner Ogrodnik (Cologne, Germany)